Year: 2017

Bobby Owsinski linked to a interesting study,

The study found “a slight superiority of musicians over non-musicians” in long-term memory tasks, and a larger one in both short-term and working-memory tasks. Musicians performed best on working-memory tasks involving “tonal stimuli,” as you would expect, but their “advantage extended to verbal stimuli, too.” And on short-term memory tasks, musicians showed superior skills whether the item they were asked to recall was a musical tone, a verbal instruction, or a visual image.

Duh….

Pedal Board 1.1

This is a dual input, one output rig. Basically, I wanted a rig where I could do both Saxophone and EWI and run it through effects. Lets look at the signal flow.

EWI – The input starts by going into the MX Micro Amp. Then goes into the volume pedal. Why? In live performance, sound guys tend sometime not to pay attention. That lead to performances with the EWI not being heard. Having the Amp and the Volume pedal lets me control the volume. I can boost it, or lower it. The signal then goes into the Eventide MixingLink. The mixing link then can send it to the effects loop.

Sax – The input starts by going into the Eventide MixingLink. Great little box that has nice preamps, and allows you to send things to an effects loop, or not, or send things to the effects loop and mix in some of the sax (or EWI) sound. It’s pretty flexible.

Effects Loop Signal flow

• First stop is the KLIQ Tuner. Hey, you have to check the pitch every now and then.
• Electro-Harmonix Nano POG. This is a great little pedal that one thing, alters pitch an octave above or below. It tracks really well.
• Electro-Harmonix Q-Tron. This the model Jeff Coffin uses, with pretty much his settings. In pedal board 1.0, it was having issues, now it’s back. It’s fun to also put the Nano POG on as well through the Q-Tron.
• Last but not least is the Eventide H9. This is an awesome pedal that does everything. It can do reverb, harmonizing, effects, distortions, etc. Again, its fun to have the Nano POG go through the pitch stuff on the H9, then I can sound like a horn section(ish).

Then everything comes back to the Eventide Missing link. I have the Missing Link set in DI mode (not line level).

And that is the pedal board as of today. It’s been working well.

This is my current pedal board, minus the Q-Tron (which was in the upper left corner of the board).

This board was designed for using an EWI and a Microphone input at the same time. One issue I have found performing is that sound people are usually very inconsistent. They are either the set it once and they leave type, or the not playing attention type. Hardly does one get a sound guy who’s actually doing their job. My biggest problem was that a LOT of sound guys

Read More “Pedal Board 1.0” »

The Woodwind and the Brasswind has some lightly educational videos about playing saxophone with effects pedals. They seems a little more geared towards them selling stuff. Not the greatest videos or examples, but it is a thing that saxophone players are using in performance. One of the best examples of someone who uses pedals is Dean Mongerio.

I think the one they did not show is an envelope follower, like a Q-Tron. If you are into the Brecker sound from the 70s, you want a Q-Tron type pedal. I’m planning on doing an article about pedals soon. I have been doing playing with pedals off and on for a while, starting with a Digitech Vocalist Live. I’ve now gone more “traditional”. What I would say is that I’m not a huge fan of using an all in one box to do effects for various reasons.

Anyhow, if anyone has any good videos with effects pedals, submit them in the comments!

I heard about this a while ago. A way to “augment” one’s bass clarinet. Though the original looked like it would completely wreck one’s bass clarinet.

I mean, look at all the stuff bolted on it. No way. Plus those demos? I dunno about that contemporary music stuff…..very strange.

Now though, they have the sensor down to a little box that straps on your clarinet or saxophone. Gives you all sorts of possibilities. No idea how much it costs.